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SOUND/IMAGE 2025 Festival – Workshops
Day Two: Friday 7 November Studio 2, Bathway Theatre 2-4pm Workshop 1Chenghao Xu – Realtime audiovisual composition framework with Unreal Engine and MaxMSP This workshop introduces a real-time audiovisual composition workflow using Unreal Engine, Max/MSP, and Max for Live. Participants will learn the fundamental programming logic behind the system, including how sound is generated and…
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SOUND/IMAGE 2025 Festival – Talks 5
Day Four: Sunday 9 November 10am-12pm: Talk 5 Lecture Theatre, Stockwell Street Academic Building Andy Popperwell – Somewheres East of Suez: Eighteenth Century Voices “Time passes. Listen. Time passes. Come closer now. Only you can hear the houses sleeping in the streets in the slow deep salt and silent black, bandaged night.” Dylan Thomas’s description…
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SOUND/IMAGE 2025 Festival – Talks 4
Day Three: Saturday 8 November 2-4pm: Talk 4 Lecture Theatre, Stockwell Street Academic Building Richard Whitby – Evicshen’s Liveness This presentation examines the currency and impact of live, embodied performance at a time when cultural production is increasingly automated and ‘inhuman’. It is built on a case study of sound artist and instrument maker Evicshen…
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SOUND/IMAGE 2025 Festival – Talks 3
Day Three: Saturday 8 November 10am-12pm: Talk 3 Lecture Theatre, Stockwell Street Academic Building Cornelia Lund & Ana Carvalho – Lines between Sight and Sound. New Developments in AV Performance AV performances involving the real-time processing of images and sound have long been an integral part of artistic expression in areas such as the arts,…
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SOUND/IMAGE 2025 Festival – Talks 2
Day Two: Friday 7 November 2-4pm: Talk 2 Studio 1, Bathway Theatre Dan Stern – Listening-With as Resistance: Spatialising Polyphony after Deleuze and Glissant This paper emerges from a practice of spatialising sound through polyphonic improvisations on tenor saxophone within multichannel environments. My starting point is the question of how power might be challenged through…
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SOUND/IMAGE 2025 Festival – Talks 1
Day Two: Friday 7 November 10am-12pm: Talk 1 Studio 1, Bathway Theatre Natasha Barrett – The spatial subject as real and abstracted in audio-visual creations This presentation touches on two recent works: the immersive audio-visual composition “Constructions of Collapse and Desire” which uses 3D LiDAR, 3D impulse responses and ambisonics to leverage features of real-world…
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SOUND/IMAGE 2025 Festival – Talks
Day Two: Friday 7 November 10am-12pm: Talk 1 Studio 1, Bathway Theatre Natasha Barrett The spatial subject as real and abstracted in audio-visual creations Andrew Knight-Hill “Reflecting Forwards” – 10 Years of SOUND/IMAGE 2-4pm: Talk 2 Studio 1, Bathway Theatre Dan Stern Listening-With as Resistance: Spatialising Polyphony after Deleuze and Glissant Jesse Austin-Stewart Approaches to…
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SOUND/IMAGE 2025 Festival – Workshops
We are excited to offer a programme of practical workshops. Delegates wishing to attend and participate in workshops MUST register via the linked form (or via the registration desk): Day Two: Friday 7 November Studio 2, Bathway Theatre 2-4pm Workshop 1Chenghao Xu – Realtime audiovisual composition framework with Unreal Engine and MaxMSP Day Three: Saturday…
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Jane Frances Dunlop and Brona Martin
Immersive Experimentations 2nd August 2024 A presentation of works in progress by Jane Frances Dunlop and Brona Martin. Jane Frances Dunlop and Brona Martin shared new artworks created with the support of the Early Career Academic Pilot Project Fund using the new Shared Hub Immersive Future Technologies (SHIFT) facilities at the University of Greenwich. The presentation…

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Nicola Plant
Cross Modal Machine Learning in Creative Practice 25th June 2024, Bathway Theatre, Woolwich Nicola’s talk included a discussion on artistic process: ‘cross modalmachine learning in creative practice’, VR demos and a Q&A. BiographyNicola Plant is an artist, creative technologist and researcher withan academic and artistic practice interested in empathy, embodimentand movement-based interactive art technology and…

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SOUND/IMAGE 2023 Festival – Talks
Day One: Thursday 9 November 2023 6-8pm: Keynote / Inaugural Lecture Professor Jorge Lopes Ramos Serious Play Day Two: Friday 10 November 2023 10.30am-12.30pm: Papers 1 Jérémie Martineau Collective immersion through musical meditation Olga Krashenko Synaesthesia in audiovisual art today on the example of the video-opera “Tintagiles” Jake Williams Experimental Djing in the Classroom Anandit Sachdev …

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16/06: IKO Loudspeaker Workshop @ Everyday is Spatial
Date: 16 June 2023 Time: 10.30am – 11.30am Venue: TC007, University of Gloucestershire A workshop demonstrating the capabilities of the IKO loudspeaker, answering questions and also hearing from others about how they might use this loudspeaker within their creative practice.

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13/05: IKO Loudspeaker @ MESH Live
Date: 13 May 2023 Time: 1.30-4.30pm Venue: Stone Nest, Soho This intimate event will bring together perspectives from music, technology and research in a unique, friendly and interactive community event to explore the frontiers and foundations of the spatial sound creative experience. Dr Angela McArthur and Dr Emma Margetson deliver an IKO workshop: “Instrumentalising Spaces…

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Spatiality in the Audiovisual Research Development Network
Research Networking & Development events bring together early career researchers and emerging scholars to share disciplinary perspectives on spatiality, stimulate interdisciplinary collaboration and seek to foster new research agendas on spatiality and practice in the audiovisual. Events: Saturday 5 March 2022 and Saturday 4 June 2022, University of Greenwich Members Dr Andrew Knight-Hill Andrew Knight-Hill…

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Noise Colloquium
This is a two-day colloquium which explores noise as a concept that embraces the expressive, the idea of noise as a resistance and, through mutating repetition, a catalyst for creative production. From this perspective noise moves out of the solely auditory register into a multi-sensory realm of non-representational logic. Previous Events 21-22 March 2015 The…

