Sound / Image

Sound / Image

Exploring sonic and audio-visual practice

  • About Us
  • Projects
    • Current Projects
      • The Record Store and Black Music
      • Audiovisual Space
      • Exploring Cultural Diversity
      • IKO Spatial Aesthetics
      • CAPTIVATE
      • Sonos Localia
    • Past Projects
      • Dreams of Safety
      • Reconfiguring the Landscape
      • A Sonic Palimpsest
      • Immersive Hyperreal Soundscapes
      • (I)MAGESOUND(S)
  • Events
    • Concerts
      • Loudspeaker Orchestra Concert Series 25/26
      • Loudspeaker Orchestra
        • Loudspeaker Orchestra Concert Series 24/25
        • Loudspeaker Orchestra Concert Series 23/24
        • Loudspeaker Orchestra 2022/23
        • Loudspeaker Orchestra 2021/22
        • Loudspeaker Orchestra 2019/20
        • Loudspeaker Orchestra 2018/19
        • Loudspeaker Orchestra 2016/17
    • Festivals
      • Sonic Spheres
        • Conference
        • Concert
        • Food and Drink
      • SOUND/IMAGE Festival
        • SOUND/IMAGE 2026 Call for Works
        • SOUND/IMAGE 2025
        • SOUND/IMAGE 2024
        • SOUND/IMAGE 2023
        • SOUND/IMAGE 2022
    • Talks and Workshops
    • Installations and Exhibitions
  • Our Facilities
    • Research Facilities
    • Study with Us
    • Artist Residencies and Associate Artists
    • Partnerships
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  • SOUND/IMAGE in Open House at Brunel Museum 

    As part of Open House weekend on Sat 21st and Sun 22nd September the Brunel Museum will show for the first time a series of three-dimensional scans of the Museum site, including the Tunnel Shaft, by Phil Hudson, as well as the new installation, There and Back Again, by our Artist-in-Residence, Mhairi Vari.   Free tickets are available through the Brunel…

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  • Inner Sound: Altered States of Consciousness in Electronic Music and Audio-Visual Media

    Over the last century, developments in electronic music and art have enabled new possibilities for creating audio and audio-visual artworks. With this new potential has come the possibility for representing subjective internal conscious states, such as the experience of hallucinations, using digital technology. Combined with immersive technologies such as virtual reality goggles and high-quality loudspeakers,…

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  • The Paths of Zatoichi: The Global Influence of the Blind Swordsman

    The Paths of Zatoichi charts the history and influence of the Japanese film and television franchise about Zatoichi the blind swordsman. The franchise is comprised of 29 films and 100 TV episodes (starring the famous Shintaro Katsu, who starred in 26 of the 29 feature films). They all follow the adventures of a blind masseur in…

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  • Explosions in the Mind: Composing Psychedelic Sounds and Visualisations

    This book explores how to compose sounds and visualisations that represent psychedelic hallucinations and experiences of synaesthesia. Through a detailed discussion regarding compositional methodologies and technical approaches, the book aims to educate students, practitioners, and researchers working in related areas. It weaves together sound, visual design, and code across a range of media, providing conceptual…

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  • Future Sounds

    What can the sounds of today tell us about the future? Can an analysis of sound and sonic practices allow us to make reliable predictions in relation to wider social phenomena? And what might they tell us about technology in a world where futurology is such a frenzied and busy field? In order to answer…

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  • Chaos Media 

    The contemporary media landscape might be described in simple terms as a digital terrain where real and virtual worlds collide. Stephen Kennedy investigates the concept of our digital space leading up to the digital turn of the 1990s to fully understand how our perceptions of orientation in space in time was altered.  Chaos Media: A…

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  • The Accurate Perception Available When Our Eye Becomes Single

    The Accurate Perception Available When Our Eye Becomes Single is an immersive multi-screen installation evoking the emotional specifics of place (Orford Ness on the Suffolk coast) while exploring the elasticity of time and history. It is an audio-visual collaboration between Richard Ducker (video) and Ian Thompson (sound) with no linear narrative; sound and image are…

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  • AR Geolocative Sound Commissions  

    2 x Augmented Reality Geolocative Sound Commissions   To celebrate the launch of our new SOUND/IMAGE Research Centre sound app (more information to be launched soon!), we invite sound artists and composers to submit proposals to develop an immersive Augmented Reality audio experience in response to the Greenwich Park in Greenwich, London.  These commissions will be…

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  • Contemplations Album Launch

    Contemplations is the launch of Acousmatic Composer and Sound Artist, Emma Margetson’s new album with Empreintes Digitales ‘Contemplations’. The performance will be held at the University’s new Digital Immersive Theatre space, at Bathway, which consists of a brand-new 36.2 genelec surround sound system. Attendees will listen to a range of 3D spatial compositions composed for…

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  • 6-7/12: Wondering for Resonances

    Loudspeaker Orchestra Concert Series Venue: The Queen Anne Undercroft Date: 6 and 7 December 2023 Time: 7pm (performance 1), 8.30pm (performance 2) Entry: £5, booking is required Electroacoustic Composer and Researcher, Giulia Vismara presents “Wondering for Resonances”. This site-specific performance with the IKO loudspeaker and Captivate’s 3D scanning, is the culmination of a residency in the Queen Anne Undercroft,…

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Centre for Sound Image

E-mail: sound-image@greenwich.ac.uk

Greenwich Research & Enterprise (GRE)

Telephone: +44 (0)208 331 7867
E-mail: enterprise@gre.ac.uk

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