Sound / Image

Sound / Image

Exploring sonic and audio-visual practice

  • About Us
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    • Current Projects
      • The Record Store and Black Music
      • Audiovisual Space
      • Exploring Cultural Diversity
      • IKO Spatial Aesthetics
      • CAPTIVATE
      • Sonos Localia
    • Past Projects
      • Dreams of Safety
      • Reconfiguring the Landscape
      • A Sonic Palimpsest
      • Immersive Hyperreal Soundscapes
      • (I)MAGESOUND(S)
  • Events
    • Concerts
      • Loudspeaker Orchestra Concert Series 25/26
      • Loudspeaker Orchestra
        • Loudspeaker Orchestra Concert Series 25/26
        • Loudspeaker Orchestra Concert Series 24/25
        • Loudspeaker Orchestra Concert Series 23/24
        • Loudspeaker Orchestra 2022/23
        • Loudspeaker Orchestra 2021/22
        • Loudspeaker Orchestra 2019/20
        • Loudspeaker Orchestra 2018/19
        • Loudspeaker Orchestra 2016/17
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      • SOUND/IMAGE Festival
        • SOUND/IMAGE 2026 Call for Works
        • SOUND/IMAGE 2025
          • Concerts
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        • SOUND/IMAGE 2023
        • SOUND/IMAGE 2024 Festival
        • SOUND/IMAGE 2022 Festival
    • Talks and Workshops
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  • SOUND/IMAGE 2025 Festival – Talks 3

    Day Three: Saturday 8 November 10am-12pm: Talk 3 Lecture Theatre, Stockwell Street Academic Building Cornelia Lund & Ana Carvalho – Lines between Sight and Sound. New Developments in AV Performance AV performances involving the real-time processing of images and sound have long been an integral part of artistic expression in areas such as the arts,…

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  • SOUND/IMAGE 2025 Festival – Talks 2

    Day Two: Friday 7 November 2-4pm: Talk 2 Studio 1, Bathway Theatre Dan Stern – Listening-With as Resistance: Spatialising Polyphony after Deleuze and Glissant This paper emerges from a practice of spatialising sound through polyphonic improvisations on tenor saxophone within multichannel environments. My starting point is the question of how power might be challenged through…

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  • SOUND/IMAGE 2025 Festival – Talks 1

    Day Two: Friday 7 November 10am-12pm: Talk 1  Studio 1, Bathway Theatre Natasha Barrett – The spatial subject as real and abstracted in audio-visual creations This presentation touches on two recent works: the immersive audio-visual composition “Constructions of Collapse and Desire” which uses 3D LiDAR, 3D impulse responses and ambisonics to leverage features of real-world…

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  • SOUND/IMAGE 2025 Festival – Talks

    Day Two: Friday 7 November 10am-12pm: Talk 1  Studio 1, Bathway Theatre Natasha Barrett The spatial subject as real and abstracted in audio-visual creations Andrew Knight-Hill “Reflecting Forwards” – 10 Years of SOUND/IMAGE 2-4pm: Talk 2 Studio 1, Bathway Theatre Dan Stern Listening-With as Resistance: Spatialising Polyphony after Deleuze and Glissant Jesse Austin-Stewart Approaches to…

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  • SOUND/IMAGE 2025 Festival – Workshops

    We are excited to offer a programme of practical workshops. Delegates wishing to attend and participate in workshops MUST register via the linked form (or via the registration desk):  Day Two: Friday 7 November Studio 2, Bathway Theatre 2-4pm Workshop 1Chenghao Xu – Realtime audiovisual composition framework with Unreal Engine and MaxMSP Day Three: Saturday…

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  • SOUND/IMAGE 2025 Festival – Installations & Exhibition

    VP Studio (Stockwell Street Building, Lower Ground Floor) John Wynne  – and quiet that splinters the winter  Saturday 8 November: 10am-5.30pm Sunday 9 November: 10am-4.30pm Spatial Audio Lab (King William Building, Ground Floor) Tim Yates – Ball Balancer: Proof of Concept Saturday 8 November: 10am-4pm Sunday 9 November: 11am-3pm Exhibition Stephen Lawrence Gallery and Project…

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  • SOUND/IMAGE 2025 Festival – Screening 2

    Day Four: Sunday 9 November TV Studio, Stockwell Street Academic Building 2-3.30pm: Screening 2 Justyna Tobera – Spectrestate “Spectrestate” is an audiovisual expression of how I see the world – quite literally. For years, I was treated for the wrong condition. That prolonged misdiagnosis left my brain unable to fuse images. What I see now…

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  • SOUND/IMAGE 2025 Festival – Screening 1

    Day Three: Saturday 8 November Lecture Theatre, Stockwell Street Academic Building 4-5.30pm: Screening 1 Stephen de Filippo – Spectral Breathing Apparatus Spectral Breathing Apparatus is a fixed-media audiovisual composition for reedless oboe and electronics. The work focuses on breath, vocality, and bodily presence through a close integration of sound and image. By removing the reed,…

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  • SOUND/IMAGE 2025 Festival – Concert 3

    Day Two: Friday 7 November Bathway Theatre 12 – 1pm, Concert 3 – Acousmatic Hector Bravo Benard – Nowhere This an electroacoustic piece built up of sounds produced with different household objects and processed using delays, filters, and spectral techniques. The sounds are arranged in 3D space and rendered using a higher order Ambisonics setup. The…

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  • SOUND/IMAGE 2025 Festival – Concert 4

    Day Two: Friday 7 November Bathway Theatre 4 – 5pm, Concert 4 – Audiovisual and Live Salvatore Siriano – Upwelling Upwelling (2023) is a multimedia composition that weaves together the artist’s experiences juxtaposed with the transformative capabilities of digital technology. Since recently relocating to the Fox River Valley, 45 miles west of Chicago, I have…

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Centre for Sound Image

E-mail: sound-image@greenwich.ac.uk

Greenwich Research & Enterprise (GRE)

Telephone: +44 (0)208 331 7867
E-mail: enterprise@gre.ac.uk

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