Sound / Image
Exploring sonic and audio-visual practice
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SOUND/IMAGE 2026 Call for Works
“Artistic Intelligence” November 5th, 6th, 7th, 8th 2026 University of Greenwich Concerts / Performances / Screenings / Talks / Workshops / Installations We seek submissions that explore the diverse areas of sound / image practice and actively encourage applications from candidates of all ethnicities, backgrounds and genders, who are traditionally underrepresented. We invite composers, filmmakers, artists, performers, architects to…
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Sonic Spheres – Food and Drink
There is a cafe located inside Woolwich Works which serves a range of food and drinks. We have also compiled a list of some of our favourites Woolwich spots below if you fancy venturing further afield:
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SOUND/IMAGE 2025 Festival – Food and Drink
Greenwich and the amenities in the area Greenwich Park is one of London’s best parks and from the top of the hill you can access the Royal Observatory, stand on the Greenwich Mean Time line, and capture an incredible picture of the London skyline. Greenwich is a bustling vibrant area with diverse cafes, restaurants, pubs and bars in the area, including…
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SOUND/IMAGE 2025 Festival – Installation
John Wynne – and quiet that splinters the winter VP Studio (Stockwell Street Building, Lower Ground Floor) Saturday: 10am-5.30pm Sunday: 10am-4.30pm This installation holds menace and beauty in a kind of cognitive dissonance. It is both a gesture of remembrance for those who have died in the war in Ukraine and a lament for the…
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SOUND/IMAGE 2025 Festival – Installation
Tim Yates – Ball Balancer: Proof of Concept Spatial Audio Lab (King William Building, Ground Floor) Saturday: 10am-4pm Sunday: 11am-3pm The Ball Balancer is the first stage of a long term project to develop an immersive pinball machine. It incorporates a bespoke 3RRS parallel manipulator with camera tracking to automatically balance and manipulate a metal…
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SOUND/IMAGE 2025 Exhibition
Christoph Renhart – Music With Moons “Music With Moons“ is a generative audiovisual written predominantly in the programming language JavaScript. The source code is ‘interpreted’ both technically and artistically: in the artistic sense, interpretation implies a momentum of unpredictability and the uniqueness or non-reproducibility of the work’s presentation. Thus, every performance of my composition is…
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SOUND/IMAGE 2025 Festival Committee
Chair: Co-Chairs: Technical Support: Administrative, Front of House and Backstage Support : Website, Marketing and Print:
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SOUND/IMAGE 2025 Festival – Workshops
Day Two: Friday 7 November Studio 2, Bathway Theatre 2-4pm Workshop 1Chenghao Xu – Realtime audiovisual composition framework with Unreal Engine and MaxMSP This workshop introduces a real-time audiovisual composition workflow using Unreal Engine, Max/MSP, and Max for Live. Participants will learn the fundamental programming logic behind the system, including how sound is generated and…
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SOUND/IMAGE 2025 Festival – Talks 5
Day Four: Sunday 9 November 10am-12pm: Talk 5 Lecture Theatre, Stockwell Street Academic Building Andy Popperwell – Somewheres East of Suez: Eighteenth Century Voices “Time passes. Listen. Time passes. Come closer now. Only you can hear the houses sleeping in the streets in the slow deep salt and silent black, bandaged night.” Dylan Thomas’s description…
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SOUND/IMAGE 2025 Festival – Talks 4
Day Three: Saturday 8 November 2-4pm: Talk 4 Lecture Theatre, Stockwell Street Academic Building Richard Whitby – Evicshen’s Liveness This presentation examines the currency and impact of live, embodied performance at a time when cultural production is increasingly automated and ‘inhuman’. It is built on a case study of sound artist and instrument maker Evicshen…