Day Two: Friday 7 November
10am-12pm: Talk 1
Studio 1, Bathway Theatre
| Natasha Barrett | The spatial subject as real and abstracted in audio-visual creations |
| Andrew Knight-Hill | “Reflecting Forwards” – 10 Years of SOUND/IMAGE |
2-4pm: Talk 2
Studio 1, Bathway Theatre
| Dan Stern | Listening-With as Resistance: Spatialising Polyphony after Deleuze and Glissant |
| Jesse Austin-Stewart | Approaches to Spatial Music for Audiences of All Types of Hearing |
| Brona Martin | SOUND/IMAGE Knowledge Exchange Activities |
Day Three: Saturday 8 November
10am-12pm: Talk 3
Lecture Theatre, Stockwell Street Academic Building
| Cornelia Lund & Ana Carvalho | Lines between Sight and Sound. New Developments in AV Performance |
| Heather Stark | Rhythm as a cross-modal relational principle in sound and image works |
| Nicholas Cope | Where Are We Now: How to Navigate Contemporary AV Electroacoustic Movies – A Talk celebrating the Visual Music collaboration of Tim Howle and Nick Cope |
| Simon Ratcliffe | The Immersive Score: Recording Media Music for Dolby Atmos |
2-4pm: Talk 4
Lecture Theatre, Stockwell Street Academic Building
| Richard Whitby | Evicshen’s Liveness |
| Joseph Hyde | Tracing Music Technology to its Interdisciplinary Roots |
Day Four: Sunday 9 November
10am-12pm: Talk 5
Lecture Theatre, Stockwell Street Academic Building
| Andy Popperwell | Somewheres East of Suez: Eighteenth Century Voices |
| Gürkan Maruf Mıhçı | Virtual Reality (VR) Experience Prototype of the Ancient Derinkuyu Underground City in Cappadocia, Türkiye |
| Andrew Knight-Hill | Composing Heritage and Place: Site Specific Practices Beyond and Around the Museum |