Sound / Image

Sound / Image

Exploring sonic and audio-visual practice

  • About Us
  • Projects
    • Current Projects
      • The Record Store and Black Music
      • Audiovisual Space
      • Exploring Cultural Diversity
      • IKO Spatial Aesthetics
      • CAPTIVATE
      • Sonos Localia
    • Past Projects
      • Dreams of Safety
      • Reconfiguring the Landscape
      • A Sonic Palimpsest
      • Immersive Hyperreal Soundscapes
      • (I)MAGESOUND(S)
  • Events
    • Concerts
      • Loudspeaker Orchestra Concert Series 25/26
      • Loudspeaker Orchestra
        • Loudspeaker Orchestra Concert Series 24/25
        • Loudspeaker Orchestra Concert Series 23/24
        • Loudspeaker Orchestra 2022/23
        • Loudspeaker Orchestra 2021/22
        • Loudspeaker Orchestra 2019/20
        • Loudspeaker Orchestra 2018/19
        • Loudspeaker Orchestra 2016/17
    • Festivals
      • Sonic Spheres
        • Conference
        • Concert
        • Food and Drink
      • SOUND/IMAGE Festival
        • SOUND/IMAGE 2026 Call for Works
        • SOUND/IMAGE 2025
        • SOUND/IMAGE 2024
        • SOUND/IMAGE 2023
        • SOUND/IMAGE 2022
    • Talks and Workshops
    • Installations and Exhibitions
  • Our Facilities
    • Research Facilities
    • Study with Us
    • Artist Residencies and Associate Artists
    • Partnerships
  • News
  • Get involved
    • Facebook
    • Twitter
    • Instagram
    • YouTube
  • Art of Sound: Creativity in Film sound and Electroacoustic Music on Tonebenders Podcast

    Think of this episode as a summer reading guide for the audio nerd. The authors of 3 recent publications about sound, get together to talk about their books, how they decided to write them and how to best use them as resources. Emi Paternostro talks about his book “The Pro Tools Post-Audio Cookbook”, Gina Zdanowicz…

    Read more

  • SOUND/IMAGE on the Immersive Audio Podcast

    In this episode of the Immersive Audio Podcast, Oliver Kadel and Monica Bolles are joined by the University of Greenwich Professor of Music and Sound Arts – Andrew Knight-Hill and the Acousmatic Composer and Sound Artist – Dr Emma Margetson from London, UK. We dive into the meaning and functions of creativity in spatial audio…

    Read more

  • Art of Sound

    Creativity in Film Sound and Electroacoustic Music Bringing together a diverse group of world leading professionals across Post-Production Film Sound and Electroacoustic Music, Art of Sound explores the creative principles that underpin how sonic practitioners act to compose, tell stories, make us feel, and communicate via sound. Revealing new understandings through analysis of interdisciplinary exchanges and interviews,…

    Read more

  • The Record Store and Black Music

    A major new project that explores the cultural impact of UK independent record stores that specialised in Black music from 1950 onwards, has been launched. 2Funky Arts has been awarded a grant from The National Lottery Heritage Fund, made possible thanks to National Lottery players, to explore this fascinating subject. ‘The Record Store & Black…

    Read more

  • CAPTIVATE

    Spatial Modelling Research Group Captivate uses remote sensing technologies to build high fidelity digital models of cultural heritage for conservation, museological and pedagogical purposes. Addressing debates in relation to data ontology, the interdisciplinary work of Captivate enables new modes of engagement with sites and objects of historical significance to be developed and tested. The combination…

    Read more

  • Film Industry Events

    Nina Hartstone – Dialogue and Vocal Performances for Film SOUND/IMAGE 22 Festival – Keynote Saturday 19 November 2022, 1.30-2.30pm In this talk, we will explore the techniques used for recording and editing dialogue and vocal performances for film. The human voice is a versatile and emotive instrument and is one of the most familiar sounds…

    Read more

  • Creative Practice / Compositions

    Sound & audiovisual compositions will apply and critique spatial concepts in context, underpinning theoretical research, while affording unique dissemination opportunities. ROARY Andrew Knight-Hill Soundtrack to an experimental film directed by Dave Leister. This film was created from a looped clip of the 1957 MGM lion. The soundtrack of the film is drawn and extended from…

    Read more

    lunan dune 3
  • Participating Artists

    As part of the AHRC funded project, Exploring Cultural Diversity in Experimental Sound, we are working with six key participants who are Black and South Asian. These artists include NikNak, Dhangsha, Nikki Sheth, Poulomi Desai, Gary Stewart, and Dushume. All have established profiles as artists working in the field of Experimental Sound. These key participants…

    Read more

  • About the Project

    Exploring Cultural Diversity in Experimental Sound, an AHRC Funded Project, aims to challenge institutional whiteness in experimental sound practice by investigating the creative identities of contemporary black and South Asian composers working in the UK. Research Fellow in Experimental Sound Dr Amit D Patel, is leading the project. He said: “Black and South Asian artists are some of the least…

    Read more

  • Sound Designer / Composer Interviews

    Bringing together world-leading industry professionals in sound design and composition with academics and sound artists, to critique and reflect upon each others work and the role of spatiality within it. Facilitating interdisciplinary knowledge exchange and the potential to further seed academic impact into the creative industries. Peter Albrechtsen Sound Designer, Re-recording Mixer and Music Supervisor…

    Read more

    Randy
1 2
Next Page→

Centre for Sound Image

E-mail: sound-image@greenwich.ac.uk

Greenwich Research & Enterprise (GRE)

Telephone: +44 (0)208 331 7867
E-mail: enterprise@gre.ac.uk

  • Facebook
  • Twitter
  • Instagram
  • YouTube