Sound / Image
Exploring sonic and audio-visual practice
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SOUND/IMAGE 2024 Exhibition
Stone Circle Transmission – Maya Chowdhry ‘Stone Circle Transmission’ immerses listeners in a complex soundscape that explores human-stone communication through the medium of a crystal radio. It uses field recordings and their manipulation as a way to create and articulate experiential spaces. This is to engage listeners through both affect and immersion. The artwork draws on…
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SOUND/IMAGE 2024 Festival – Installations
Friday 8 – Sunday 10 September (Photography Studio): Point Line Piano (VR Installation) – Jarosław Kapuściński & OpenEndedGroup (Marc Downie, Paul Kaiser) Point Line Piano is a VR project that reimagines the composition, performance, and reception of piano music by fusing its modes of creating, playing, and listening. As you interact with it, your ears, eyes,…
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SOUND/IMAGE 2024 Festival – Talks 6
Day Four: Sunday 10 November 2-4pm: Talk 6 Lecture Theatre, Stockwell Street Academic Building Simon Emmerson – An Imaginary Soundwalk This paper picks up from my contributions to the Sound Art Brighton Festival (2022) catalogue essay (‘The global dérive flâneur’), to MuSA 2023 (Manchester) – ‘Imagination and Image (in sonic art)’ and to the Spatial…
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SOUND/IMAGE 2024 Festival – Talks 5
Day Four: Sunday 10 November 10am-12pm:Talk 5 Lecture Theatre, Stockwell Street Academic Building Simon Knighton – Sculpting Sound: Exploring the Creative Affordances of Material Agency in the Generation of Novel Tuning Systems. Throughout the 20th and 21st centuries, many composers have explored methods of finding freedom from both the fixed rigidity of the notated score…
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SOUND/IMAGE 2024 Festival – Talks 4
Day Three: Saturday 9 November 2-4pm: Talk 4 Lecture Theatre, Stockwell Street Academic Building Sophie Rose – Externalising Psychological Space through Spatial Music Using Wearable Gestural Technology and Voice This presentation discusses the sonification of psychological reactions to trauma in gesturally mediated vocal composition. It focuses on the incorporation and implications of the spatial and…
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SOUND/IMAGE 2024 Festival – Talks 2
Day Two: Friday 8 November 2-4pm: Talk 2 Studio 1, Bathway Theatre Sara Hamdy – Sonic Spaces Cairo archive As an artist with a deep passion for sound and visual creativity, my aspiration to attend The SOUND/IMAGE festival is driven by a desire to immerse myself in a community that celebrates innovation and collaboration. Despite any…
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SOUND/IMAGE 2024 Festival – Talks 1
Day Two: Friday 8 November 10am-12pm: Talk 1 Studio 1, Bathway Theatre Gaurav Singh Nijjer – The Intimate Dramaturgy of the Machine-Human Voice Indian theatre-maker and creative technologist Gaurav Singh Nijjer (1994, New Delhi) has been working on integrating live audio technologies on the Indian stage. Through works like ‘Lifeline 99 99’ (2021), an interactive…
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SOUND/IMAGE 2024 Festival – Screenings 3
1.30-2pm: Screening 3 Lecture Theatre, Stockwell Street Academic Building Simon Puriņš – Forest Bathing The video element of this piece was shot on a GoPro in Mežaparks (Forest Park) on the northern edge of Rīga, Latvia, on 20th August 2023. The primary audio element is a heavily processed (hardware & software) field recording of 4…
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SOUND/IMAGE 2024 Festival – Screenings 1
Day Three: Saturday 9 November Lecture Theatre, Stockwell Street Academic Building 4-5pm: Screening 1 Chris Meigh-Andrews – Nothing Beside Remains The title “Nothing Beside Remains” is a reference to Shelley’s famous sonnet “Ozymandias”. Even though I work with a time-based medium, I have attempted to make a work that is in some way timeless, to…
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SOUND/IMAGE 2024 Festival – Screenings 2
Day Four: Sunday 10 November TV Studio, Stockwell Street Academic Building 12-12.30pm: Screening 2 – 16mm film David Leister – Blinder 16mm B & W, 7’ 39”, optical sound Blinder is one of a continuing series of David Leister’s 16mm films and experimental sonic works in which the image is also the source for the…