We are delighted to announced the very special guests who will be joining us for SOUND/IMAGE19.
Annette Vande Gorne
Annette Vande Gorne can be heard in concert (more than 500) in many European countries, as well as Canada, China and South America, presenting repertory works of acousmatics in addition to her own works, usually on a 80-loudspeaker acousmonium. Her music focuses on the sounding energies of nature; she uses natural sounds and transforms them in studio to create an abstract, expressive, and non-anecdotal musical language. The relationship between text and music is another subject she often explores. She produced an acousmatic opera “yawar fiesta” which completely renews the genre while creating a link with the past. She studied classical music at the Royal Conservatory of Mons and Brussels, and with Jean Absil (fuga, instrumental composition). She also studied electroacoustic composition with Reibel and Schaeffer at the Paris National Conservatory. She is the artistic director of Brussels’ international acousmatic festival L’espace du son, and of the international competitions Espace du son (spatialization) and Métamorphoses (acousmatic composition). Vande Gorne founded and still leads the non-profit association Musiques & Recherches, and the studio Métamorphose d’Orphée (founded in 1982). She is the publisher of the electronic Lien and of the Electrodoc documentation center www.musiques-recherches.be She taught electroacoustic composition: Royal Conservatories of Liege, Brussels and Mons where she created a complete electroacoustic department in 2002. Professor emeritus since 2016.
British artist Terry Flaxton (b. 1953) has worked for decades with sound composition, photography and film, developing a particular interest in analogue video during the 1970s. He received a BA Hons in Communication Design in 1979 and spent over 30 years working as a cinematographer, which included shooting the third ever electronically captured movie with Channel 4 and the BFI’s Out of Order in 1986. His work today focuses on durational forms of the digital including sound, video, print and installation. He is widely recognised as an artist who creates challenging moving image work that has been featured in publications including A History of Video Art, Bloomsbury, 2006 and 2014; Diverse Practices, University of Luton Press, 1996; and A Directory of British Film and Video, Arts Council England, 1997. His works are held in various collections including Lux London, Video les Beaux Jours Strasbourg and AICE Milan. His 2008 work In Re Ansel Adams is in the permanent collections of the Harris Museum in Preston and the Royal West of England Academy of Art.
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