Compose, Create, Explore
This weekend saw the fourth SOUND/IMAGE colloquium hosted in Greenwich and welcoming a host of international artists and thinkers focussing on the topic of sound and image composition and perception.
Click here for the full programme and abstracts.
We were delighted to welcome Prof. Thomas Görne from our ERASMUS partner HAW Hamburg to give a lecture to our Sound and Image students.
Prof. Görne discussed how recent research in perceptual psychology can help inform Sound Design practice.
On Friday 9th November, students on the Creative Coding programme received a masterclass from Roger Alsop, University of Melbourne providing insight to the use of Max/MSP in creative projects (students are using Max/ MSP to develop their own projects).
https://findanexpert.unimelb.edu.au/display/person172234
Call for contributions: Electroacoustic Music in Great Britain: Past/Present/Future (26th / 27th January 2019)
Marking the 40th anniversary of the founding of EMAS (The Electroacoustic Music Association of Great Britain) Electroacoustic Music in Great Britain: Past/Present/Future seeks to explore the varied history, and vibrant present, of electroacoustic music practice in the UK.
In celebration of this significant anniversary, the British ElectroAcoustic Network, in association with the School of Design, University of Greenwich, invite you to contribute to a weekend of talks, concerts and discussions celebrating the achievements of Electroacoustic music in the UK and to project forwards toward new futures.
For more information about the event, and details of the call for pieces and papers, please visit the British ElectroAcoustic Network website: https://britishelectroacousticnetwork.com/emas-40th-anniversary/
We were delighted to invite Simon Emmerson to present a concert of works in the beautiful musical church of St Alfege. This was a sublime event. The first of many in the space.
View the full collection of images here.
In advance of his concert Prof. Emmerson gave a talk to assembled students about his compositional practice and the inspirations between his works that combine live instrumental performance and recorded and electronic processed sound.
Concert – https://blogs.gre.ac.uk/sounddesign/2018/10/16/simon-emmerson-concert-10-10-18/
We are delighted to announce our 2018/19 Loudspeaker Orchestra Concert series.
A diversity of musical styles and approaches from an international array of leading composers.
Dear Sound Designers,
It’s almost time to begin another year and I am very much looking forward to welcoming you back to Greenwich. Geoff and the technicians have been busy over the summer with upgrades to the studios and we look forward to receiving some new equipment over the next few weeks which will begin to find its way into your hands via the studios.
Academics have been working on research projects and preparing events and activities for the next year. On the 4th October Ian will host a launch event for his new record label project Sonus Localia, presenting surround sound recordings and compositions. I have been finalising plans for this year’s Loudspeaker Orchestra concert series, which will welcome many international guests to share their works and their ideas with you in public concerts across the whole year. And as ever, all of our research activities are feeding directly into our teaching as we bring the ideas and approaches that we have explored directly into modules and classes on the programme.
This coming year will be the first time that we have students across all three years and I am really looking forward to the benefits that this will bring in increased community. I hope that you’ll be keen to join in with the many events that we are organising, and that you’ll be inspired and empowered to arrange your own events and performances.
See you in Welcome Week, with our first concert taking place on Friday 21st September – Ben Ramsay: Loudspeaker Orchestra.
“If you want to do sound design for movies, then you should watch a lot of movies and really listen to the movies. Find out what your favorite film sounds like and how they are using sounds and approaching sounds. Look at details like how the dialogue sounds and when they use silence and when they use noise. Basically, what kind of sounds they use to get the optimal reaction. For me, my advice is to listen to the world, listen to the movies, listen to a lot of sounds. There is so much inspiration to get.”
Sound Designer Peter Albrechtsen talks about his practice, on the importance of collaboration, similarities between documentary and fiction film practices and taking inspiration from the world around us.
https://culturedvultures.com/amp/interview-peter-albrechtsen/#click=https://t.co/B1JRYQO8xm