{"id":954,"date":"2020-04-04T12:37:13","date_gmt":"2020-04-04T11:37:13","guid":{"rendered":"https:\/\/blogs.gre.ac.uk\/sounddesign\/?p=954"},"modified":"2024-09-03T16:20:51","modified_gmt":"2024-09-03T15:20:51","slug":"imagesounds","status":"publish","type":"post","link":"https:\/\/blogs.gre.ac.uk\/sounddesign\/2020\/04\/04\/imagesounds\/","title":{"rendered":"(I)MAGESOUND(S)"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"707\" src=\"https:\/\/blogs.gre.ac.uk\/sounddesign\/wp-content\/uploads\/sites\/43\/2019\/09\/Image-Sounds-1024x707.jpg\" alt=\"\" class=\"wp-image-955\" srcset=\"https:\/\/blogs.gre.ac.uk\/sounddesign\/wp-content\/uploads\/sites\/30\/2019\/09\/Image-Sounds-1024x707.jpg 1024w, https:\/\/blogs.gre.ac.uk\/sounddesign\/wp-content\/uploads\/sites\/30\/2019\/09\/Image-Sounds-300x207.jpg 300w, https:\/\/blogs.gre.ac.uk\/sounddesign\/wp-content\/uploads\/sites\/30\/2019\/09\/Image-Sounds-768x530.jpg 768w, https:\/\/blogs.gre.ac.uk\/sounddesign\/wp-content\/uploads\/sites\/30\/2019\/09\/Image-Sounds.jpg 1296w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><\/figure>\n\n\n\n<p>(I)MAGESOUND(S) is a project that embraces an expanded experience of the cinematic, locating historical and contemporary artists\u2019 work alongside the work of Jim Hobbs and Andrew Hill. The concept for the programme was originally born out of a research project\/commission by Mono No Aware and The New York Public Library (NYPL) for the Performing Arts, as part of the annual Cinema Arts festival MONO X.<\/p>\n\n\n\n<p>Working with the NYPL for Performing Arts film archive, contemporary individual artists, musicians and film distributors, the original project created a programme that brought together a variety of approaches to cinema, ranging from single screen films to more performative and expansive works. Its intention was to celebrate the relationship between image and sound, and emphasise the collaborative and generative possibilities between artists of different disciplines.<\/p>\n\n\n\n<p>In this spirit, for the 2019 tour, Hobbs and Hill have chosen to invite additional musicians\/artists from each city where the project will be performed. For the Leeds event, artist and University Academic Fellow Sam Belinfante will join to offer additional sonic elements throughout the evening.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p><strong>PERFORMANCES<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"http:\/\/mononoawarefilm.com\/mono-x-imagesounds\"><strong>THURSDAY, DECEMBER 1, 2016 @ New York Public Library for the Performing Arts, 40 Lincoln Center Plaza, New York, NY, 10023<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.leeds.ac.uk\/events\/event\/5582\/imagesounds\"><strong>WEDNESDAY, MAY 1, 2019 @\u00a0Clothworkers Centenary Concert Hall, School of Music, Leeds University, UK<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.starandshadow.org.uk\/programme\/event\/imagesounds,3723\/\"><strong>THURSDAY, MAY 2, 2019 @ Star and Shadow Cinema, Newcastle-Upon-Tyne, UK<\/strong><\/a><\/li>\n\n\n\n<li><strong><a href=\"http:\/\/www.currentathens.gr\/events\/event\/2230-i-magesound-s-a-touring-programme-of-artist-film-sound-and-expanded-cinema\">FRIDAY, MAY 17, 2019 @ Athens School of Fine Art, Athens, Greece.<\/a><\/strong><\/li>\n\n\n\n<li><a href=\"https:\/\/www.dfi.dk\/cinemateket\/biograf\/events\/event\/imagesounds-stan-brakhage-bruce-conner-mfl\"><strong>FRIDAY, MAY 24, 2019 @ Danish Film Institute, Copenhagen, Denmark.<\/strong><\/a><\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p>The programme is divided into four movements:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Nature Morte, Jim Hobbs (10 minutes)<\/li>\n<\/ol>\n\n\n\n<p>2. Score and (Re)Score, various artists:<\/p>\n\n\n\n<p>\u2022Mary Ellen Bute, Rhythm in Light, 1936, 5 mins (new live score) <\/p>\n\n\n\n<p>\u2022Stan Brakhage, Garden of Earthly Delights, 1981, 2 mins (silent) <\/p>\n\n\n\n<p>\u2022Bruce Conner, Cosmic Ray, 1961, 4 mins (original score) <\/p>\n\n\n\n<p>\u2022David Leister, Headgear, 1998, 6 mins (new live score) <\/p>\n\n\n\n<p>\u2022Guy Sherwin &amp; Lyn Loo, Washi 1, 2014, 4 mins (new live score) <\/p>\n\n\n\n<p>\u2022Hiroshi Yamazaki, Heliography, 1979, 6 mins (original score) <\/p>\n\n\n\n<p>\u2022Ben Rivers, House, 2006, 5 mins (new live score)<\/p>\n\n\n\n<p>3. Projections, Andrew Hill (10 minutes)<\/p>\n\n\n\n<p>4. Vientos Fuertes (Strong Winds), Jim Hobbs (15 minutes)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">PUBLICATIONS<\/h4>\n\n\n\n<p>(I)MAGESOUND(S) \u2013&nbsp;<a href=\"https:\/\/econtact.ca\/19_2\/index.html\">eContact! 19.2&nbsp;\u2014 Light+Sound&nbsp;\/ Lumi\u00e8re+son<\/a>&nbsp;(October&nbsp;\/ octobre 2017) \u2013&nbsp;<a href=\"https:\/\/econtact.ca\/19_2\/hill-hobbs_imagesounds.html\">https:\/\/econtact.ca\/19_2\/hill-hobbs_imagesounds.html<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(I)MAGESOUND(S) is a project that embraces an expanded experience of the cinematic, locating historical and contemporary artists\u2019 work alongside the work of Jim Hobbs and Andrew Hill. The concept for the programme was originally born out of a research project\/commission by Mono No Aware and The New York Public Library (NYPL) for the Performing Arts, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/blogs.gre.ac.uk\/sounddesign\/2020\/04\/04\/imagesounds\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;(I)MAGESOUND(S)&#8221;<\/span><\/a><\/p>\n","protected":false},"author":94,"featured_media":955,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10,2,8],"tags":[],"class_list":["post-954","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audiovisual","category-event","category-research"],"jetpack_featured_media_url":"https:\/\/blogs.gre.ac.uk\/sounddesign\/wp-content\/uploads\/sites\/30\/2019\/09\/Image-Sounds.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.gre.ac.uk\/sounddesign\/wp-json\/wp\/v2\/posts\/954","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.gre.ac.uk\/sounddesign\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.gre.ac.uk\/sounddesign\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sounddesign\/wp-json\/wp\/v2\/users\/94"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sounddesign\/wp-json\/wp\/v2\/comments?post=954"}],"version-history":[{"count":1,"href":"https:\/\/blogs.gre.ac.uk\/sounddesign\/wp-json\/wp\/v2\/posts\/954\/revisions"}],"predecessor-version":[{"id":1377,"href":"https:\/\/blogs.gre.ac.uk\/sounddesign\/wp-json\/wp\/v2\/posts\/954\/revisions\/1377"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sounddesign\/wp-json\/wp\/v2\/media\/955"}],"wp:attachment":[{"href":"https:\/\/blogs.gre.ac.uk\/sounddesign\/wp-json\/wp\/v2\/media?parent=954"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sounddesign\/wp-json\/wp\/v2\/categories?post=954"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sounddesign\/wp-json\/wp\/v2\/tags?post=954"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}