{"id":986,"date":"2020-11-20T21:18:00","date_gmt":"2020-11-20T21:18:00","guid":{"rendered":"https:\/\/blogs.gre.ac.uk\/sound-image\/?p=986"},"modified":"2020-11-20T21:18:00","modified_gmt":"2020-11-20T21:18:00","slug":"sound-image-aesthetics-and-practices","status":"publish","type":"post","link":"https:\/\/blogs.gre.ac.uk\/sound-image\/2020\/11\/20\/sound-image-aesthetics-and-practices\/","title":{"rendered":"Sound &amp; Image: Aesthetics and Practices"},"content":{"rendered":"\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/blogs.gre.ac.uk\/sound-image\/expanded-cinemas\/\">#Expanded Cinemas<\/a><\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.routledge.com\/Sound-and-Image-Aesthetics-and-Practices\/Knight-Hill\/p\/book\/9780367271466\"><img loading=\"lazy\" decoding=\"async\" width=\"838\" height=\"1024\" src=\"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-contentlibrary\/wp-content\/uploads\/sites\/29\/2023\/07\/sound-and-image.jpeg\" alt=\"\" class=\"wp-image-987\" srcset=\"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-content\/uploads\/sites\/29\/2023\/07\/sound-and-image.jpeg 838w, https:\/\/blogs.gre.ac.uk\/sound-image\/wp-content\/uploads\/sites\/29\/2023\/07\/sound-and-image-246x300.jpeg 246w, https:\/\/blogs.gre.ac.uk\/sound-image\/wp-content\/uploads\/sites\/29\/2023\/07\/sound-and-image-768x938.jpeg 768w\" sizes=\"auto, (max-width: 838px) 100vw, 838px\" \/><\/a><\/figure>\n\n\n\n<p><em><a href=\"https:\/\/www.routledge.com\/Sound-and-Image-Aesthetics-and-Practices\/Knight-Hill\/p\/book\/9780367271466\" target=\"_blank\" rel=\"noreferrer noopener\">Sound and Image: Aesthetics and Practices<\/a><\/em>&nbsp;brings together international artist scholars to explore diverse sound and image practices, applying critical perspectives to interrogate and evaluate both the aesthetics and practices that underpin the audiovisual.<\/p>\n\n\n\n<p>Contributions draw upon established discourses in electroacoustic music, media art history, film studies, critical theory and dance; framing and critiquing these arguments within the context of diverse audiovisual practices. The volume\u2019s interdisciplinary perspective contributes to the rich and evolving dialogue surrounding the audiovisual, demonstrating the value and significance of practice informed theory, and theory derived from practice. The ideas and approaches explored within this book will find application in a wide range of contexts across the whole scope of audiovisuality, from visual music and experimental film, to narrative film and documentary, to live performance, sound design and into sonic art and electroacoustic music.<\/p>\n\n\n\n<p>This book is ideal for artists, composers and researchers investigating theoretical positions and compositional practices which bring together sound and image.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.routledge.com\/Sound-and-Image-Aesthetics-and-Practices\/Knight-Hill\/p\/book\/9780367271466\">Find out more<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Sound and Image: Aesthetics and Practices&nbsp;brings together international artist scholars to explore diverse sound and image practices, applying critical perspectives to interrogate and evaluate both the aesthetics and practices that underpin the audiovisual. Contributions draw upon established discourses in electroacoustic music, media art history, film studies, critical theory and dance; framing and critiquing these arguments [&hellip;]<\/p>\n","protected":false},"author":93,"featured_media":598,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-986","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expanded-cinemas"],"featured_image_src":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-content\/uploads\/sites\/29\/2023\/05\/CoverDesign-RoutWeb-edited-1.jpg","author_info":{"display_name":"em9767t","author_link":"https:\/\/blogs.gre.ac.uk\/sound-image\/author\/em9767t\/"},"jetpack_featured_media_url":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-content\/uploads\/sites\/29\/2023\/05\/CoverDesign-RoutWeb-edited-1.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/posts\/986","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/users\/93"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/comments?post=986"}],"version-history":[{"count":0,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/posts\/986\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/media\/598"}],"wp:attachment":[{"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/media?parent=986"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/categories?post=986"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/tags?post=986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}