{"id":227,"date":"2019-11-08T01:58:44","date_gmt":"2019-11-08T01:58:44","guid":{"rendered":"https:\/\/blogs.gre.ac.uk\/sound-image\/?p=227"},"modified":"2019-11-08T01:58:44","modified_gmt":"2019-11-08T01:58:44","slug":"vacuus","status":"publish","type":"post","link":"https:\/\/blogs.gre.ac.uk\/sound-image\/2019\/11\/08\/vacuus\/","title":{"rendered":"Vacuus"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Feliciano Chiriaco, Conservatory U. Giordano (Foggia) <\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">&#8220;Vacuus&#8221; is an acusmatic composition on a fixed support that describes the movement of the bodies in an empty space.\u00a0 The meaning of &#8220;Vacuus&#8221;, the Latin word, is in fact &#8220;Empty&#8221;, which identifies itself in the structure in the low frequencies and in the dark sounds, in the space so as to be perceived around the listener.\u00a0 &#8220;Space&#8221; is the key word of the composition, in which all the elements are positioned and moved around independent orbits, which approach and move away until they collide. Then start all over again, you can hear the rotating bodies approaching. Only at the end there will be the decisive battle, the creation. Thanks to the synthesis and sampling processes the sound follows the rotation in the space created by the reverbs and the dynamic compressions. Getting lost in the void is an instinctive reaction, one loses the real perspective, and one abandons oneself to wander about. <strong>\u201cSpinning around and getting lost in the dark vacuity, confused by the total lack of importance and feeling.\u201d<\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Biography<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Feliciano Chiriaco<\/strong> is an Italian electroacoustic music composer.\u00a0 He frequents the third year of Electronic Music at the Conservatory U. Giordano of Foggia. He studied with N.Monopoli, R.Zanata, L.Gregoretti and C.Valentini.\u00a0 His music has been performed on numerous occasions such as KLG Festival, NYCMEF, MUSLAB in Madrid and in Mexico City, Atempor\u00e0nea Festival in Buenos Aires.\u00a0 In 2017 he published &#8220;R\u00eave&#8221;, an audio-video installation, on the &#8220;Live&#8221; catalog, Paginaria Editions.\u00a0 In 2017 he composed &#8220;Studio Rimico N.1&#8221;, for the video-installation &#8220;Upgrade My Soul&#8221; by R.C.Giannotti.\u00a0 In 2017 he composed the soundtrack of \u201cAndrea Firenze&#8221;, a film by A.Varano.\u00a0 In 2018 he published &#8220;Nocna Mora&#8221; for flute and live electronics.\u00a0 In 2018 he taught electronic music at the association \u201cBeatHoven Music Academy\u201d.\u00a0 From March of 2018 he collaborates as Sound Enveloper with &#8220;Engineering Samples&#8221;.\u00a0 From January of 2019 he works as Sound Engineer at \u201cMoto Armonico\u201d Recording Studio in Barletta.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/soundcloud.com\/felicianochiriaco\">https:\/\/soundcloud.com\/felicianochiriaco<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Feliciano Chiriaco, Conservatory U. Giordano (Foggia) &#8220;Vacuus&#8221; is an acusmatic composition on a fixed support that describes the movement of the bodies in an empty space.\u00a0 The meaning of &#8220;Vacuus&#8221;, the Latin word, is in fact &#8220;Empty&#8221;, which identifies itself in the structure in the low frequencies and in the dark sounds, in the space [&hellip;]<\/p>\n","protected":false},"author":94,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-227","post","type-post","status-publish","format-standard","hentry","category-uncategorised"],"featured_image_src":null,"author_info":{"display_name":"ha14","author_link":"https:\/\/blogs.gre.ac.uk\/sound-image\/author\/ha14\/"},"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/posts\/227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/users\/94"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/comments?post=227"}],"version-history":[{"count":0,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/posts\/227\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/media?parent=227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/categories?post=227"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/tags?post=227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}