{"id":1467,"date":"2024-04-23T14:17:04","date_gmt":"2024-04-23T13:17:04","guid":{"rendered":"https:\/\/blogs.gre.ac.uk\/sound-image\/?p=1467"},"modified":"2024-04-23T14:17:04","modified_gmt":"2024-04-23T13:17:04","slug":"chaos-media","status":"publish","type":"post","link":"https:\/\/blogs.gre.ac.uk\/sound-image\/2024\/04\/23\/chaos-media\/","title":{"rendered":"Chaos Media\u00a0"},"content":{"rendered":"\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/blogs.gre.ac.uk\/sound-image\/sonic-phenemenologies\/\">#Sonic Phenemenologies<\/a><\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"824\" src=\"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-content\/uploads\/sites\/29\/2024\/04\/Screenshot-2024-04-23-at-14.14.11-1024x824.png\" alt=\"\" class=\"wp-image-1468\" srcset=\"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-content\/uploads\/sites\/29\/2024\/04\/Screenshot-2024-04-23-at-14.14.11-1024x824.png 1024w, https:\/\/blogs.gre.ac.uk\/sound-image\/wp-content\/uploads\/sites\/29\/2024\/04\/Screenshot-2024-04-23-at-14.14.11-300x241.png 300w, https:\/\/blogs.gre.ac.uk\/sound-image\/wp-content\/uploads\/sites\/29\/2024\/04\/Screenshot-2024-04-23-at-14.14.11-768x618.png 768w, https:\/\/blogs.gre.ac.uk\/sound-image\/wp-content\/uploads\/sites\/29\/2024\/04\/Screenshot-2024-04-23-at-14.14.11.png 1042w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>The contemporary media landscape might be described in simple terms as a digital terrain where real and virtual worlds collide. Stephen Kennedy investigates the concept of our digital space leading up to the digital turn of the 1990s to fully understand how our perceptions of orientation in space in time was altered.&nbsp;<br><br><em>Chaos Media: A Sonic Economy of Digital Space<\/em>&nbsp;re-thinks the five fundamental paths to our contemporary understanding of the digital age: cultural, political, economic, scientific, and aesthetic, and ties them together to form a coherent whole in order to demonstrate how critical thinking can be reconfigured using a methodological approach that uses &#8216;chaos&#8217; and &#8216;complexity&#8217; as systematic tools for studying contemporary mediated space.&nbsp;<br><br>Kennedy introduces the concept of Sonic Economy, a methodology that allows for a critical engagement with the heterogeneous elements of an information society wherein the dispersion of discrete elements is manifest but not always clearly visible.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--2\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.bloomsbury.com\/uk\/chaos-media-9781623567064\/\">For more information<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:51px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The contemporary media landscape might be described in simple terms as a digital terrain where real and virtual worlds collide. Stephen Kennedy investigates the concept of our digital space leading up to the digital turn of the 1990s to fully understand how our perceptions of orientation in space in time was altered.&nbsp; Chaos Media: A [&hellip;]<\/p>\n","protected":false},"author":93,"featured_media":1468,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[21,23],"tags":[],"class_list":["post-1467","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publication","category-sonic-phenomenologies"],"featured_image_src":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-content\/uploads\/sites\/29\/2024\/04\/Screenshot-2024-04-23-at-14.14.11.png","author_info":{"display_name":"em9767t","author_link":"https:\/\/blogs.gre.ac.uk\/sound-image\/author\/em9767t\/"},"jetpack_featured_media_url":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-content\/uploads\/sites\/29\/2024\/04\/Screenshot-2024-04-23-at-14.14.11.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/posts\/1467","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/users\/93"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/comments?post=1467"}],"version-history":[{"count":0,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/posts\/1467\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/media\/1468"}],"wp:attachment":[{"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/media?parent=1467"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/categories?post=1467"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/tags?post=1467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}