{"id":1270,"date":"2023-11-03T00:03:05","date_gmt":"2023-11-03T00:03:05","guid":{"rendered":"https:\/\/blogs.gre.ac.uk\/sound-image\/?p=1270"},"modified":"2026-06-07T15:57:49","modified_gmt":"2026-06-07T14:57:49","slug":"sound-image-2023-festival-talks","status":"publish","type":"post","link":"https:\/\/blogs.gre.ac.uk\/sound-image\/2023\/11\/03\/sound-image-2023-festival-talks\/","title":{"rendered":"SOUND\/IMAGE 2023 Festival – Talks"},"content":{"rendered":"\n

Day One: Thursday 9 November 2023<\/strong> <\/h3>\n\n\n\n

6-8pm: Keynote \/ Inaugural Lecture <\/strong><\/p>\n\n\n\n

Professor Jorge Lopes Ramos   <\/td>Serious Play<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Day Two: Friday 10 November 2023<\/strong> <\/h3>\n\n\n\n

10.30am-12.30pm: Papers 1<\/strong><\/p>\n\n\n\n

J\u00e9r\u00e9mie Martineau <\/td>Collective immersion through musical meditation<\/strong> <\/td><\/tr>
Olga Krashenko <\/td>Synaesthesia in audiovisual art today on the example of the video-opera \u201cTintagiles\u201d<\/strong> <\/td><\/tr>
Jake Williams <\/td>Experimental Djing in the Classroom<\/strong> <\/td><\/tr>
Anandit Sachdev <\/td>Redefining Thresholds, Revisiting Home<\/strong> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

3-5pm: Papers 2 <\/strong><\/p>\n\n\n\n

Jane Frances Dunlop <\/td>crowds, choruses, composites: <\/strong> <\/td><\/tr>
Phivos-Angelos Kollias & Angela McArthur <\/td>Ambient Intelligence, Music, and Ecology: Balancing the Polarity between Anthropocentric and Ecological Perspectives<\/strong> <\/td><\/tr>
Rob Eagle <\/td>When dancing becomes a symphony of music and light<\/strong> <\/td><\/tr>
Angela McArthur & Kathrin Hunze <\/td>Diurnum – exposition<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Day Three: Saturday 11 November 2023<\/strong> <\/h3>\n\n\n\n

10.30am-12.30pm: Papers 3<\/strong><\/p>\n\n\n\n

Fotis Begklis <\/td>Walking from Purfleet St Clement’s Church: A sonic exploration of a community walking route in Thurrock. <\/strong> <\/td><\/tr>
Lara Weaver, Ulf A. S. Holbrook, and Ross Davidson <\/td>Remote swampy practices<\/strong> <\/td><\/tr>
John Aulich <\/td>Affective Atmospheres: Three recent works exploring atmosphere, the body, and space<\/strong> <\/td><\/tr>
Ulf A. S. Holbrook and Ximena Alarcon <\/td>Unravelling<\/strong> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Day Four: Sunday 12 November 2023<\/strong> <\/h3>\n\n\n\n

10.30am-12.30pm: Papers 4<\/strong><\/p>\n\n\n\n

David Velez <\/td>Creativity in Field Recording Practice Researching Biodiversity<\/strong><\/td><\/tr>
Megan Steinberg <\/td>Composing for Disability, Deafness and Neurodivergence: Experimental Scores<\/strong> <\/td><\/tr>
Holly Gowland <\/td>The impact of urbanisation on electronic music<\/strong> <\/td><\/tr>
Walter Stabb and Hadi Bastani <\/td>Brutalism Otherwise <\/strong> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Day One: Thursday 9 November 2023  6-8pm: Keynote \/ Inaugural Lecture  Professor Jorge Lopes Ramos    Serious Play Day Two: Friday 10 November 2023  10.30am-12.30pm: Papers 1 J\u00e9r\u00e9mie Martineau  Collective immersion through musical meditation  Olga Krashenko  Synaesthesia in audiovisual art today on the example of the video-opera \u201cTintagiles\u201d  Jake Williams  Experimental Djing in the Classroom  Anandit Sachdev  […]<\/p>\n","protected":false},"author":93,"featured_media":1241,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2,11,62,32],"tags":[],"class_list":["post-1270","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audiovisual-space-recontextualising-sound-image-media","category-festivals","category-sound-image-festival","category-talks"],"featured_image_src":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-content\/uploads\/sites\/29\/2023\/10\/SOUNDIMAGE-Festival.png","author_info":{"display_name":"em9767t","author_link":"https:\/\/blogs.gre.ac.uk\/sound-image\/author\/em9767t\/"},"jetpack_featured_media_url":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-content\/uploads\/sites\/29\/2023\/10\/SOUNDIMAGE-Festival.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/posts\/1270","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/users\/93"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/comments?post=1270"}],"version-history":[{"count":1,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/posts\/1270\/revisions"}],"predecessor-version":[{"id":2798,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/posts\/1270\/revisions\/2798"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/media\/1241"}],"wp:attachment":[{"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/media?parent=1270"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/categories?post=1270"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/sound-image\/wp-json\/wp\/v2\/tags?post=1270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}