Sound / Image

Sound / Image

Exploring sonic and audio-visual practice

  • About Us
  • Research Themes
    • Sonic Phenomenologies
    • Communities & Cultural Access
    • Expanded Cinemas
    • Spatial Aesthetics and Immersive Environments
    • Heritage and Place
  • Projects
    • (I)MAGESOUND(S)
    • A Sonic Palimpsest
    • Audiovisual Space
      • Research Development Network
      • Sound Designer / Composer Interviews
      • Creative Practice / Compositions
    • Exploring Cultural Diversity
      • About
      • Participating Artists
    • IKO Spatial Aesthetics
    • Immersive Hyperreal Soundscapes
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  • Greenwich SOUND/IMAGE Festival 2020 – Announced

    We’re excited to announce the programme for the 2020 Greenwich SOUND/IMAGE festival! Presenting a series of exhibitions, workshops, talks and activities showcasing leading audio-visual art that investigates relationships between sound and image. https://www.gre.ac.uk/sound-image Featuring: Peter Adjaye Mhairi Vari Poulomi Usurp Desai​ Dushume School of Noise Jim Hobbs Museum of Walking Artists and Contributors to Sound & Image: […]

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  • SOUND/IMAGE19 – Images from the weekend!

    Thank you to everyone who came to be a part of #soundimage19! It was a weekend full of concerts, talks, screenings, performances unpacking the audiovisual and sharing ideas! We had a really fantastic programme, with guests visiting us from all over the world. Below are some of the images from the weekend.

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  • Verbalizing Sculptural Sound Phenomena in Electronic Music and Sound Arts – Towards a Share Perceptual Space (SPS)

    Gerriet Krishna Sharma / Angela McArthur, IEM Graz / Queen Mary London This contribution is concerned with questions whether the aesthetics of spatialized electronic music of today take into account the perception of the audience at all and how to find terms that could be helpful for composition and analysis of spatialized sound. We are […]

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  • The Atmospherics

    Trond Lossius & Jeremy Welsh, Independent Artist / Trondheim Academy of Fine Art, Norwegian University of Science and Technology The Atmospherics (River Deep, Mountain High) is an ongoing collaborative project by Trond Lossius and Jeremy Welsh. The project researches notions of “place” explored through field recording in sound and video that capture unique qualities from […]

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  • The importance of sensuality in electroacoustic music: A presentation of my work as a Composer

    Véro Marengère, Université de Montréal The sonic contact is a sonic touch or a proximity touch. It can be perceived as a light brush. Touch can be heard in the sound as it carries a sensory quality. Through its intrusive and invisible nature, the sound hoists a sensual, sexual and even healing power. While sensuality […]

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  • The Video Game as a Sound Interface: Towards new instrumental gestures?

    Hervé Zénouda, Toulon University (France) This proposition aims to shed light on an emerging creative field the “audio games”: a crossroad between video games and musical composition aided by computer. Today, a plethora of small applications, which propose entertaining audio-visual experiences with a preponderant sound dimension are available for game consoles, computers, and mobile phones. […]

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  • The creation of The Angst of the String (The Glass String)

    Dr Brigid Burke, Independent Artist Chamber Music/instrument building/audio/visual performance is becoming a new field of creative practice and performance. It’s fuelled by the imagery of three dimensional art spaces in contemporary performance culture and is increasingly acceptable and engaging with old art forms and new technologies combined with live digital audio and imagery projection. In […]

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  • Hyperobjectivity in the Art of Lumia by Thomas Wilfred [b.1889 d.1968]

    Trent Kim, University of the West of Scotland Lumia is an early-mid 20th century art form pioneered by a Danish born American artist, Thomas Wilfred. As an early example of new media art, Wilfred developed this unique art form through technological innovation (a series of Lumia devices named ‘Clavilux’) and various aesthetic experimentations inspired by […]

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  • Full Programme Released for SOUND/IMAGE19

    We’re excited to release our full programme for this weekend. And exciting array of talks, performances, concerts, screenings and installations. Book your place via Eventbrite. CLICK HERE TO DOWNLOAD THE PROGRAMME

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  • Virtual Futures

    Allegra Shorto, Khora Contemporary Immersive technologies are changing the nature of what an artwork is and how it is valued. Technological developments are beginning to blue the boundaries between virtual and physical space. Amidst this shifting landscape Khora Contemporary is rethinking the value of an artwork in a market that seems to increasingly value experience […]

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