{"id":1113,"date":"2010-09-30T21:36:04","date_gmt":"2010-09-30T20:36:04","guid":{"rendered":"http:\/\/blogs.gre.ac.uk\/architecture\/?p=1113"},"modified":"2010-09-30T21:36:04","modified_gmt":"2010-09-30T20:36:04","slug":"open-lectures-marko-jobst-framing-chaos-architecture-out%e2%80%90of%e2%80%90field","status":"publish","type":"post","link":"https:\/\/blogs.gre.ac.uk\/architecture\/2010\/09\/30\/open-lectures-marko-jobst-framing-chaos-architecture-out%e2%80%90of%e2%80%90field\/","title":{"rendered":"Open Lecture: Marko Jobst \u2013 FRAMING CHAOS: ARCHITECTURE OUT\u2010OF\u2010FIELD"},"content":{"rendered":"<p><strong>Architecture Open Lecture Series 2010 \/11<\/strong><\/p>\n<ul>\n<li>University of Greenwich<\/li>\n<li>School of Architecture &amp; Construction<\/li>\n<li>Mansion Site, Avery Hill Campus<\/li>\n<li>Bexley Road, Eltham, London SE9 2PQ<\/li>\n<li>Norbert Singer Lecture Theatre (M055)<\/li>\n<\/ul>\n<p><em>Wed 17 November 2010 17.00<\/em><\/p>\n<p style=\"padding-left: 30px\"><em>Marko Jobst<\/em><br \/>\n<strong>FRAMING CHAOS: ARCHITECTURE OUT\u2010OF\u2010FIELD<\/strong><\/p>\n<figure id=\"attachment_1114\" aria-describedby=\"caption-attachment-1114\" style=\"width: 450px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1114\" src=\"https:\/\/blogs.gre.ac.uk\/architecture\/wp-content\/uploads\/sites\/15\/2010\/09\/OpenLecture20102011-MarkoJobst.jpg\" alt=\"\" width=\"450\" height=\"222\" srcset=\"https:\/\/blogs.gre.ac.uk\/architecture\/wp-content\/uploads\/sites\/15\/2010\/09\/OpenLecture20102011-MarkoJobst.jpg 450w, https:\/\/blogs.gre.ac.uk\/architecture\/wp-content\/uploads\/sites\/15\/2010\/09\/OpenLecture20102011-MarkoJobst-300x148.jpg 300w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><figcaption id=\"caption-attachment-1114\" class=\"wp-caption-text\">Image credit: Karen Mirza and Brad Butler, The Museum of non Participation<\/figcaption><\/figure>\n<p>The \u2018first gesture of art\u2019 is one in which the body is separated from the earth, writes Elizabeth Grosz in Chaos, Territory, Art. It is \u2018the construction or fabrication of the frame.\u2019 This makes the initial \u2018artistic impulse [\u2026] not body\u2010art but architecture\u2010art,\u2019 and art, as a consequence, \u2018the extension of the architectural imperative to organize the space of the earth.\u2019 (Grozs, Chaos, Territory, Art)<\/p>\n<p>This lecture will look at the concept of framing in Deleuze and Guattari\u2019s definition of architecture, expanding it through the concept of the cinematic out\u2010of\u2010field, itself developed by Deleuze in his cinema books as a way of explaining the nature of the \u2018beyond\u2019 of every frame. This will be used to challenge Beatriz Colomina\u2019s reading of Adolf Loos\u2019 and Le Corbusier\u2019s techniques of framing and put forward a more complex understanding of the relationship between architecture and the media in modernism, in particular in relation to the exterior. The argument will be supported by excerpts from examples of works of the so\u2010called artists\u2019 cinema, which questions the expected relationship between architecture and the media used to frame it.<\/p>\n<p><strong>Marko Jobst<\/strong> (DIA Belgrade University; MArch MSc Phd UCL) is Senior Lecturer in Architecture at the University of Greenwich where he directs the MSc Architectural Studies programme. Research interests: cinema, writing, Deleuze.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Architecture Open Lecture Series 2010 \/11 University of Greenwich School of Architecture &amp; Construction Mansion Site, Avery Hill Campus Bexley Road, Eltham, London SE9 2PQ Norbert Singer Lecture Theatre (M055) Wed 17 November 2010 17.00 Marko Jobst FRAMING CHAOS: ARCHITECTURE OUT\u2010OF\u2010FIELD The \u2018first gesture of art\u2019 is one in which the body is separated from [&hellip;]<\/p>\n","protected":false},"author":28,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[6],"tags":[75],"class_list":["post-1113","post","type-post","status-publish","format-standard","hentry","category-open-lectures","tag-open-lectures"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/blogs.gre.ac.uk\/architecture\/wp-json\/wp\/v2\/posts\/1113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.gre.ac.uk\/architecture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.gre.ac.uk\/architecture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/architecture\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/architecture\/wp-json\/wp\/v2\/comments?post=1113"}],"version-history":[{"count":0,"href":"https:\/\/blogs.gre.ac.uk\/architecture\/wp-json\/wp\/v2\/posts\/1113\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.gre.ac.uk\/architecture\/wp-json\/wp\/v2\/media?parent=1113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/architecture\/wp-json\/wp\/v2\/categories?post=1113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.gre.ac.uk\/architecture\/wp-json\/wp\/v2\/tags?post=1113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}